
For forty years, Edwin followed the whispers of the silver woods. As a boy, he had found a single hoofprint in the damp moss behind his father’s barn—a mark too sharp, too perfectly circular to belong to any horse. From that moment, his life became a long, unfolding map of rumors. He spent his youth climbing the jagged peaks of the Moonstone Crags, his middle years wading through the bioluminescent mires of the south, and his graying winters translating forgotten texts by candlelight.
He sacrificed a quiet life, a steady trade, and the warmth of a family hearth for the promise of a horn gleaming in the starlight. Every rustle of leaves in the twilight made his chest tighten; every flash of white birch bark in the deep thickets sent his heart racing. He became a ghost in his own right, a solitary figure known to tavern keepers and border guards simply as the man who chased shadows. He never found a single hair, a dropped horn, or another footprint.
Now, an old man with a heavy cloak and a heavier cane, Edwin sat on a mossy log beneath a canopy of ancient oaks. The sun was dipping below the horizon, painting the sky in deep bruises of purple and gold. He looked at his worn leather journals, filled with sketches of beasts he had only ever seen in his mind. A profound, quiet clarity settled over him. He realized his life was entirely spent, his boots ruined, and his hands gnarled by frostbite, all for a myth. He closed the journal, rested his chin on his cane, and wept softly for the decades left behind in the dark.
This story, album and musical by Timm Gaughan is based upon his life and his musical journey through life. The unicorn hunter is parable with music.

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